"Wonne der Wehmut” - Ludwig van Beethoven

Wonne der Wehmut
Lily Arbisser, soprano and Thomas Sauer, piano, live in performance May 2024
 

“Les cloches” - Claude Debussy

Les cloches
Lily Arbisser, soprano and Thomas Sauer, piano, live in performance May 2024
 

“Fleurs des blés” - Claude Debussy

Fleurs des blés
Lily Arbisser, soprano and Thomas Sauer, piano, live in performance May 2024
 

“Berlin im Licht” - Kurt Weill

Berlin im Licht
Lily Arbisser, soprano and Thomas Sauer, piano, live in performance May 2024
 

“Complainte de la Seine” - Kurt Weill

Complainte de la Seine
Lily Arbisser, soprano and Thomas Sauer, piano, live in performance May 2024
 

“I’m a Stranger Here Myself” - Kurt Weill

I'm a Stranger Here Myself
Lily Arbisser, soprano and Thomas Sauer, piano, live in performance May 2024
 

"Beim Schlafengehen” and “Im Abendrot” - Richard Strauss, from ‘Vier Letzte Lieder’

"Beim Schlafengehen" and "Im Abendrot"
Lily Arbisser, soprano and Jason Wirth, piano, live in performance June 2021
 

"Wenn sich die Menschen” - Alban Berg, from ‘Lulu’

"Lied der Lulu" - Lulu, Alban Berg
Lily Arbisser, soprano and Elizabeth Rodgers, piano, live in performance December 2018
 

WNYC Studio 360 

Studio 360 - 1812 - Day Job: Opera
PRI/WNYC

Like many artists, Lily Arbisser still has to work a day job to pay the bills while she pursues her creative career. She hopes to someday sing center stage at New York’s Metropolitan Opera, but for now, she works there behind the scenes as a cue-caller: the person responsible for making sure an opera’s subtitles appear at exactly the moment when the performers onstage sing their lines. Each night’s performance is slightly different, and if the timing isn’t just right, it can ruin the punch line to a joke or give away major spoilers. Lily takes us backstage to share the tricks of her trade and how this day job has affected her as a performer, too.

See the full story here